Abstract
Abstract The following is an interview conducted by Che Gossett and Eva Hayward with Kiyan Williams, multidisciplinary artist and assistant professor at Virginia Commonwealth University. William's visual art—sculpture and video—on blackness and ecology, dirt and displacement, brings Black trans poetics, aesthetics, and politics to bear on questions of the afterlife of slavery and plantation geographies. Their work also engages Black trans archives and historicity. Here they discuss their work Reflections on Marlon Riggs, Jesse Harris, Black trans archives, their works Meditations on the Making of America and Trash and Treasure, and their engagement with various artistic mediums.
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