Abstract
In this chapter I explore aspects of baneful women, fallible men, and the mutual manipulation involved in gift giving with the Prometheus paradigm in mind. Elements within the myths of Pandora and Prometheus will be brought into constant interplay to enrich an appreciation of Robert Aldrich’s movie, but also to rethink the attributes of these mythical figures in their classical context. A. I. Bezzerides produced a culturally allusive screenplay that by the film’s finale was directly invoking classical and biblical characters, particularly the direct reference to a destructive Pandora about to unleash a monstrous power (spoiler warning!), as curious and acquisitive Gabrielle embraces and then opens the atomic box at the end of the film.1
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