Abstract
A Play-by-Play history of King Lear in Germany, France, and Italy would be a dull thing; but a discussion of the special qualities found in the tragedy at historic theatrical moments can illuminate both the work of art and the cultural and artistic environment in which it was presented.The German productions offer the best example of the range of possibilities found in Lear in Continental theatre because the play has had there its longest history of production, outside of England.
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