Abstract

The lively debate about the function of the fable of Cupid and Psyche in the Metamorphoses of Apuleius is continually expanding. On the narrative level, they act like pairs of star-crossed lovers in the Greek Romance tradition, but by designating them ‘Love’ and ‘Soul’ Apuleius has invited philosophical, religious and loosely symbolic interpretations of this inset story. The ambiguity surrounding Cupid and Psyche (characters or concepts) is complicated and enriched by the storyline which concerns the falling in love of Love and the falling in love with Love by Soul (the respective states.of the hero and heroine). By making the Love God suffer the passion he inflicts upon other gods and upon mortals, Apuleius fulfils the sometimes heartfelt but more usually tongue-in-cheek desire of the elegiac poets to punish their tormentor. At the same time, Psyche (Soul) becoming besotted with Love has more serious implications in Platonist doctrine and her actions throughout the story and her ultimate fate have been read both positively and negatively by Apuleian scholars.

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