Abstract
In this article I will examine aspects of the work of the Irish writer Brian Dillon which allow us to propose the continuing relevance, from an Irish perspective, of a strain of critical discourse which engages with the legacy of the Enlightenment. Specifically, I look primarily at Dillon’s 2014 essay collection Objects in This Mirror as well as his 2017 collection Essayism, with a view to establishing some key characteristics of his artistic project, while showing their compatibility with the cultural materialism of key scholars of the Frankfurt School, before finally making explicit the compatibility of Dillon’s work with the values which underpin the Irish Field Day project which has influenced Irish studies since the 1980s.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
