Abstract
ABSTRACT Keroncong music has a basic concept of musical achievement that is often expressed by keroncong artists with the word "ngroncongi". Ngroncongi is a term that refers to the Java language. Keroncong becomes the basic word, which at the beginning of the word is affixed "Ng- " and at the end the word gets "-i", so initially keroncong is a noun, turning into an adjective after it turns into "ngroncongi". Ngroncongi is a musical aspect that becomes an indication of keroncong music characteristic. Ngroncongi will be achieved when it reaches the aesthetic and keroncong culture. Musicality which is "ngroncongi" is constructed by several musical elements such as, samen spelen; ngglali; nyendaren; mbesut; luk; gojek; isen-isen; mbanyumili; and sintiran. Those elements are synergized to accommodate the concept of "ngroncongi". The elements of rhythmic pattern are sintiran, mbanyumili, and gojek. The elements for ornamentation are ngglali; mbesut; luk; nyendaren; and isen-isen. While the element of "samen spelen" is for a musical interaction between players by giving each other musical communication. These elements found from the emissive knowledge of keroncong players who are represented in musical way to build musicality which is called "ngroncongi". Kata kunci : Keroncong, Ngroncongi, Musikalitas
Highlights
Musik keroncong sampai saat ini memiliki daya tarik tersendiri bagi para apresiatornya
Keroncong music has a basic concept of musical achievement that is often expressed by keroncong artists with the word
a term that refers to the Java language
Summary
Samen spelen yang dimaksud dalam konteks musik keroncong merupakan kerja sama yang baik antar pemain keroncong. Setiap pemain keroncong biasanya mempunyai kompetensi untuk memainkan lebih dari satu instrumen keroncong, hal ini umumnya hanya sebagai pembelajaran untuk dapat memainkan instrumen lain, dan juga antisipasi apabila dalam suatu keadaan pemain ansambel keroncong sedang tidak lengkap formasinya. Hal ini dipertegas dalam tulisan Genichi Kawakami, dalam bukunya yang berjudul Arranging Popular Music: A Practical Guide, berikut kutipan dari tulisan tersebut, The counter melody supports the melody. It plays an important role in arranging, and may be used in various ways. Tempo juga salah satu unsur musikal yang nampak pada samen spelen, ketika antar pemain tidak saling mendengarkan, dan tidak bermain sesuai dengan tempo yang dibangun maka dianggap belom memiliki samen spelen atau antar pemain belum bisa kerjasama dengan baik. Metodenya adalah mendengarkan referensi lagu yang ada, dan mencoba mencontoh secara otentik bunyi yang diperdengarkan lalu apabila telah memahami baru melakukan pengembangan
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