Abstract
InThe Rhetoric of Religion, Kenneth Burke refigures Augustine'sConfessionsas a Platonist comedy, structuring his book as an Upward Way that imitates and overgoes the textual ascent he analyzes in Augustine. He links that ascent to the principles of hierarchy, order, guilt, and victimage: the sacrificial principle of tragedy. Yet he counters the tragic motif with a comic criticism, teaching a tolerant charity and humble irony. His comedy thus tropes theConfessionson a large scale, converting it to logology. Burke teaches us about the tendency toward perfection obvious in the Upward Way, yet inherent in all symbols. In the political realm, this tendency aims toward perfect order and works to anathematize the opposition, exerting the principle of victimage. Burke warns us against this principle, which functions as much in the rhetoric of politics as in the rhetoric of religion.
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