Abstract
This small volume contains the published version of the author’s lecture in the New Research in Art History series of the Getty Research Institute, Los Angeles, which was delivered under the title Looking East, Looking West: Mughal Painting Between Persia and Europe, on 19 November, 2015. According to Singh, hybridity in Mughal painting should not be dismissed as eclecticism or strangeness, for it is a consciously employed device. For instance, when one half of a late-Mughal painting, Lovers...
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