Abstract
Based on her recollections, Karin Götz (as the painter Rissa) describes with hitherto unprecedented detail how Götz arrived at his Visual Aesthetic Sensitivity Test (VAST) and what he sought to achieve with it. He wanted to find out to what degree the capacity for visual sensitivity is developed in test subjects. The text also takes a closer look at his collaboration with the psychologists Berlyne and Eysenck. Rissa shares Götz’s belief that we need to return to training our visual aesthetic powers in everyday life.
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