Abstract
KANT'S Critique of Judgment is a seminal text in philosophical reflection about matters of art and beauty. Yet it is also an exceedingly difficult text for today's reader, due to the fact that it is deeply rooted in the aesthetic discussion of its time, the eighteenth century, and that it forms an integral part of Kant's own comprehensive philosophical system. While it is fairly standard to explain Kant's aesthetics by comparing his views to those of relevant contemporaries and predecessors in the field, little attention has been paid to the structural similarities between Kant's aesthetics and his views on other philosophical matters. In the present piece I want to explore this somewhat neglected line of inquiry. I shall concentrate on Kant's basic account of the conditions and limitations of human knowl
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