Abstract
F. R. Kreutzwald introduced the Estonian national epic Kalevipoeg (1861) as genuine folklore, overshadowing his own prevalent role in its creation: the problems of genre and authorship persist in the text. Firstly, Kalevipoeg was shaped by the poetics of romantic balladry. This can be proved by its author’s devotion to the ballad; in addition, many a lyro-epic folk song has been integrated into Kalevipoeg. Thus, a ballad-like lyro-dramatical-epical structure bears upon the work which gave rise to a new form: the lyro-epic epic. Secondly, a complex cluster of authorship can be extracted from Kalevipoeg: personal, fictional, intertextual, and discursive authorships.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
