Abstract
Punchdrunk, a British company founded in 2000 by Felix Barrett, appears as the ‘pioneer’ and most emblematic company in the field of immersive theatre—a form of theatre where the audience is placed ‘at the heart of the work’ (Machon 22). The company defines itself as follows: ‘Punchdrunk has pioneered a game changing form of theatre in which roaming audiences experience epic storytelling inside sensory theatrical worlds’ (Punchdrunk’s website). Since the foundation of the company, these ‘thea...
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