Abstract
AbstractThis article examines the historical development of worship music in Asian ecumenism by examining three ecumenical hymnals from the 1960s to the present. It identifies key personalities and institutions involved in the formation of Asian worship music. The essay argues that the maturation of Asian Christian spirituality via music making requires the church to hold in tension both its missional heritage and local cultural practices. It proposes the development of robust theo‐liturgical scholarship as being critical in helping the church mature.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
