Abstract
ABSTRACT C. G. Jung’s “Psychology of the Transference” (1946/1954, CW 16) describes his template for healing in psychoanalysis. He selected a series of ten erotic alchemical woodcuts from the Rosarium Philosophorum. The author contends these drawings were chosen because of Jung’s emotional, deep, and healing relationships with three women who had previously been his patients: Sabina Spielrein, Maria Moltzer, and Toni Wolff. The author describes how she uses these drawings in her work. She then explores Jung’s relationships with these women and examines how his 1925 essay “Marriage as a Psychological Relationship” (1925/1954, CW 17) depicts Jung’s marriage to his wife, Emma.
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