Abstract
This examination of the career of Julia Reichert-a three-time Oscar nominee, the recipient of two lifetime achievement awards, and the subject of a retrospective at the Museum of Modern Art in 2019-follows the trajectory of her oeuvre, which intertwines social commitment and aesthetic concern. Reichert's work is a rare example of U.S. working-class film art made about working-class people. Her career parallels the evolution of a genre of socially-committed documentary in the U.S.
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