Abstract
Taking its cue from Judith Butler’s definition of gender as ‘a practice of improvisation within a scene of constraint’ (2), this volume of essays sets out to explore biographical fiction’s innovations in gender, and also in genre. Deliberately avoiding ‘grand theor[ies]’ (3), the editors offer an understanding of genre as historically situated and in constant flux; like existing tropes of gender, concepts of genre are seen as available to biofiction’s rewritings.
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