Abstract
Abstract In the Judean War’s proem, Josephus professes his need to lament, an atypical statement in Hellenistic and Roman historiography. This article explores his lamentations, in the proem and the work, as they engage body, emotion, gender, and power. It examines the constructions that laments receive in Josephus’s diverse literary and cultural backgrounds—biblical and early Jewish literature as well as ancient Greek and Roman traditions. It also considers how the War reflects these constructions. Josephus’s laments, staging his wailing voice and suffering body, suggest self-abasement. However, his protagonists’ laments often convey resistance and rebellion, a traditional function of laments; they thus shed a more political light on the proem. Josephus masculinizes the typically feminine lamenter-qua-protester figure, perhaps to avoid feminizing his own role. This article interprets Josephus’s laments as an embodiment of his carefully subversive account and as emotional resistance against the Roman power.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.