Abstract
In 1920, a Catalan poet who had become well known because of his Cubist calligrammes, Josep Maria Junoy, published "Amour et paysage," a volume written in the Japanese haiku form, which had become very popular in France during the preceding years. But already in the newspaper "El Dia" he had published several poems made up of four or five lines, some of which were repeated. This article analyses them as a meditation on the haiku form and as a guide to reading the haiku of "Amour et paysage."
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
