Abstract
John Lizars' (1792-1860) 'A System of Anatomical Plates of the Human Body' is widely recognized as one of the finest British anatomical atlases published in the nineteenth century. Lizars' commentators always praise his illustrations for their artistry and accuracy, but no one ever provides an account of why they are artistically significant or what makes them veracious. The principal aim of this paper is to begin a discussion of both of those subjects and to show how Lizars used the resources of the visual arts as analytical tools to extend his audience's understanding of the human body.
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