Abstract
John Dee, ‘Queen Elizabeth's conjuror’, as a recent biography has called him, has attracted considerable attention during the twentieth and twenty-first centuries among intellectual historians of the English Renaissance, including historians of science. During the last two decades especially, there has been a steady flow of publications.1 Dee has also featured in a growing body of literary and popular fiction, films, plays, multimedia performances, graphic novels, and operas. The present article reviews a range of this material and demonstrates that, particularly since the 1960s, the figure of Dee has performed a number of different cultural functions, sometimes appearing more as vulnerable human being than magus, but appealing particularly to those artists who, like Derek Jarman, see him as epitomising a dream of transformative and visionary power with close analogies to the way the creative imagination itself works.
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