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Previous articleNext article No AccessJews and Other "Outlandish Englishmen": Ethnic Performance and the Invention of British Identity under the GeorgesMichael RagussisMichael Ragussis Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 26, Number 4Summer, 2000 Article DOIhttps://doi.org/10.1086/448991 Views: 11Total views on this site Citations: 13Citations are reported from Crossref Copyright 2000 The University of ChicagoPDF download Crossref reports the following articles citing this article:Viccy Coltman Art and Identity in Scotland, 30 (Oct 2019).https://doi.org/10.1017/9781108278133David O'Shaughnessy Ireland, Enlightenment and the English Stage, 1740-1820, 39 (Jul 2019).https://doi.org/10.1017/9781108628747Paul Goring Macklin, Charles, (May 2015): 734–737.https://doi.org/10.1002/9781118607268.wbebl190John Agnew Nationalism, (Feb 2013): 130–145.https://doi.org/10.1002/9781118384466.ch14Gordon Pentland ‘We Speak for the Ready’: Images of Scots in Political Prints, 1707–1832, The Scottish Historical Review 90, no.11 (Apr 2011): 64–95.https://doi.org/10.3366/shr.2011.0004Peter P. Reed Algerians, Renegades, and Transnational Rogues in Slaves in Algiers, (Jan 2009): 53–77.https://doi.org/10.1057/9780230622715_3Sarah Gracombe Beyond Deronda ?: Victorian Studies and Jewish Chronicles, Literature Compass 6, no.11 (Jan 2009): 206–227.https://doi.org/10.1111/j.1741-4113.2008.00586.xSusan Cannon Harris Mixed Marriage: Sheridan, Macklin, and the Hybrid Audience, (Jan 2007): 189–212.https://doi.org/10.1057/9780230287198_9Jeffrey H. Richards Drama, Theatre, and Identity in the American New Republic, 25 (Sep 2009).https://doi.org/10.1017/CBO9780511486128John Belchem The Whiteness of Ireland Under and After the Union. Comment: Whiteness and the Liverpool-Irish, Journal of British Studies 44, no.11 (Dec 2012): 146–152.https://doi.org/10.1086/424984Isaac Land Jewishness and Britishness in the Eighteenth Century, History Compass 3, no.11 (Dec 2005): **–**.https://doi.org/10.1111/j.1478-0542.2005.00144.xMarcie Frank Gender, Theatre, and the Origins of Criticism, 1 (Sep 2009).https://doi.org/10.1017/CBO9780511483578Paul Goring ''John Bull, pit, box, and gallery, said No!'': Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage, Representations 79, no.11 (Aug 2002): 61–81.https://doi.org/10.1525/rep.2002.79.1.61

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