Abstract
Abstract In this article, I propose a reading of the Brazilian novel Por que sou gorda, mamãe? (2006) through the prism of the body as an oblique signifier of polymorphous post-Holocaust memory discourse. I will be employing the idea of the “strange body” in the following, that is, an experience of estrangement that can arise from trauma-induced conflict or fracture and “is capable of testifying to complexes of social operations and realities well beyond not only a given subject, but also a given generation” (Atkinson 2017, 34). In Cíntia Moscovich’s novel, this strange-bodiness is articulated through the uncanny presence of an obese Jewish female body; a body which bears witness to a subversive force of trauma and denounces the fascist ideology within the continuities of subtly intertwined European and Brazilian histories. European Jewish life in shtetlech, pogroms, exile, and the Holocaust merge not only with the Brazilian context of Jewish immigration, but also with the history of Brazilian military dictatorship (1964-1985).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
