Abstract
Half a century from now, film scholar trying to give some order to contemporary events in world cinema may well call past ten years the period of debuts. This is not particularly because more new names of directors have appeared than during comparable earlier periods (I suspect their absolute number is neither especially larger nor smaller) but because psychological and sociological phenomenon of debut has become central to art.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have