Abstract
In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism as his starting point for an exploration of Richard Wagner in Paris, culminating in a consideration of the Paris Tannhauser debacle of 1861. From a structural and a chronological point of view, the...
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
