Abstract
The Balinese wayang kulit, the author informs her readers, is both social event and sacred ritual. Jennifer Goodlander’s book is an account of her experience, as a woman and foreigner, learning to perform the Balinese shadow theatre. In it she describes how, under the experienced eye of her teacher, the dalang I Wayan Tunjung, she acquired the multiple skills which a dalang must possess, as playwright, storyteller, actor, comedian, director, singer, as musician and conductor of music, produce...
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