Abstract
ABSTRACT This article explores strategic hybridization in Jeffrey Lau’s four films, which reinterpret the classic Journey to the West, and analyses Hong Kong-mainland film co-productions from the mid-1990s to the mid-2010s. Adopting a media industries perspective, it examines how strategic hybridization navigates economic pressures and policy environments influencing production decisions, creative choices, and industrial imperatives. The study illustrates that strategic hybridization is not merely a consequence of co-production but a deliberate strategy reflecting the collaborative dynamics between Hong Kong and the mainland, contributing to an increasingly integrated and mainland-centric co-production model. By analyzing strategic decisions across industrial and production dimensions, the article underscores the impact of policy interventions, cross-cultural collaboration, and financial factors in shaping co-production models. The evolution of co-productions is further demonstrated through a detailed look at Lau’s films, suggesting that strategic hybridization serves as a set of adaptive strategies fostering a symbiotic, albeit mainland-centric, relationship between the two film industries.
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