Abstract
This article takes as its starting point the evocations of his journey from Rome to Tomis by Ovid relegated in order to analyze the innovative articulation between travel and memory operated by the Tristia, the Ibis and the ex Ponto letters. It is based on the recurring image of the boat trip in those three works and hypothesizes that this image constitutes an object of memory that allows us to define the nature of the existential and poetic transformation that is taking place.
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