Abstract

The aim of the paper was to introduce the specialized press oriented towards jazz music and its practitioners that was published from 1953 to 1965 on the territory of the Republic of Serbia. The marked period was chosen for consideration since it represents the most fruitful stage in the development of the press of a specific thematic profile, but also because of the significant changes in the entire Yugoslav society. These changes, as it was possible to show, influenced the complex processes that shaped the press of the time, as well as the attitude towards this musical genre and its practitioners. The processes in question include, first of all: certain internal political movements that consistently modeled the cultural policy of the time, within which jazz attempted to obtain a favorable position; integration of the former socialist state into polarized international currents that implied the use of jazz as a means of affirming the foreign policy orientation of Yugoslav society; and the creation of the operational power of artists for self-organization and the acquisition of certain labor and social rights within the Association of Jazz Musicians. The association was founded in 1953 in Belgrade with the aim of advocating for the rights of contemporary musicians, while at the same time initiating the publication of the first newspaper Jazz: Journal of Popular and Jazz Music (Jazz. List za pitanja zabavne i džez muzike). Under this name, the journal was published from 1953 to 1954, and during the publication period from 1957 to 1958 it changed its name to Bulletin of the Association of Jazz Musicians (Bilten Udruženja Jazz muzičara). After that, in Novi Sad, in 1962, Rhythm – Yugoslav Review of Jazz and Popular Music (Ritam – Jugoslovenska revija za džez i zabavnu muziku) began to be publish by NIP Dnevnik, and later changed its name to Rhythm – Yugoslav Review of Popular Music (Ritam – Jugoslovenska revija za zabavnu muziku), under which it continued to be published until it ceased publication in 1965.

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