Abstract
This article is of polemical nature. It discusses main theses of the recently published book by Monika Stobiecka: Natura artefaktu, kultura eksponatu. Projekt krytycznego muzeum archeologicznego (2020). The book presents contemporary archaeology as a very innovative discipline striving for interdisciplinarity and extending beyond traditional research issues and borders. At the same, the authoress postulates a need to reorient archaeology and create a new type of archaeological museum, namely critical museum – “museum of life”.
Highlights
From the lack of extensive reflection, especially in the Polish archaeological literature, on archaeological exhibitions, and a critical reflection on the essence of an archaeological exhibit in the face of the currently noticeable transformations of the discipline, which results in a certain stagnation in archaeological museology
Publikacja Moniki Stobieckiej nie jest jednakże pozbawiona kontrowersji i moim odczuciu pewnych – jak sądzę – niezamierzonych niedociągnięć
Monika Stobiecka’s book prompts the reader to reflect on many levels: on the essence of archaeological matter – archaeological sources, which constitute the basis of archeology research, regardless of the theoretical option in the horizon of which it is practiced, on the ontology of the artifact or on the determinants of disciplinary practice of archeology, mainly ways of reconstructing the past and disseminating knowledge about it
Summary
DYSKUSJA Z TEZAMI ZAWARTYMI W KSIĄŻCE MONIKI STOBIECKIEJ: NATURA ARTEFAKTU, KULTURA EKSPONATU. WHAT IS THE FUTURE OF ARCHAEOLOGICAL MUSEUM? A DISCUSSION WITH THESES PRESENTED IN A BOOK BY MONIKA STOBIECKA: NATURA ARTEFAKTU, KULTURA EKSPONATU WHAT IS THE FUTURE OF ARCHAEOLOGICAL MUSEUM? A DISCUSSION WITH THESES PRESENTED IN A BOOK BY MONIKA STOBIECKA: NATURA ARTEFAKTU, KULTURA EKSPONATU
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