Abstract
This article tracks the life of the song ‘Umshini Wami’ (My Machine Gun) adopted by Jacob Zuma, the President of the African National Congress, since early 2005. It explores the wider implications of political song in the public sphere in South Africa and aims to show how ‘Umshini Wami’ helped Jacob Zuma to prominence and demonstrated a longing in the body politic for a political language other than that of a distancing and alienating technocracy. The article also explores the early pre-Zuma provenance of the song, its links to the pre-1994 struggle period and its entanglement in a seamless masculinity with little place for gendered identities in the new state to come. It argues too that the song can be seen as unstable and unruly, a signifier with a power of its own and not entirely beholden to its new owner.
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