Abstract
ABSTRACTAn attempt to clarify some of the salient aspects of a process that is developing as an ongoing cycle of seven books, halfway between “poetry” and narrative-descriptive fiction. With a focus on the notion of “threshold,” on the experience and hardship of crossing thresholds, the consideration of “circumstances,” the expectations of a “realistic” project, engaged in the cruelty and opacity of the “real,” implying a committed choice of prose, a prose of investigation verging on objectivity. This article also revisits the political and spiritual implications of the notion of huts, undoubtedly one of the key issues at stake in this writing process and the engagement it implies.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
