Abstract

In contemporary architecture and related disciplines, the understanding of landscape is undergoing transformative changes due to ecological emergencies. Rather than perceiving landscape as a static form, it is regarded as an open process, suggesting its complete comprehension may be elusive. Consequently, alternative models that surpass traditional picturesque representations are emerging within the field of landscape representation. Furthermore, different theoretical frameworks are being employed to grasp the supposed geological epoch of the Anthropocene. Object-oriented ontology (OOO) is a framework that falls under the speculative realism school of thought. Within this theoretical lens, Timothy Morton introduces the concept of hyperobjects, referring to entities that transcend spatial and temporal boundaries and profoundly impact life on Earth. Hyperobjects manifest through diverse phenomena such as global warming, radioactive materials, nuclear waste, pollution, etc. They possess five defining characteristics: viscosity, nonlocality, time undulation, interobjectivity and phasing that may be further interpreted in the architectural discipline. Therefore, this paper aims to contribute to the ongoing discourse on hyperobjects and their essential characteristics while exploring their connections to various architectural landscape concepts. Moreover, it seeks to conduct a design-driven research experiment focused on an alternative viscosity representation in Bor, a flotation tailing in Eastern Serbia.

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