Abstract
This article explores the way in which trees (izihlahla in isiZulu) are represented in South African Sign Language (SASL) literature. We contextualise our study in the broader field of African folklore and literature as SASL literature is steeped in deaf culture as well as that of a wider African culture of hearing people. Using a close reading approach of a selection of poems, we claim that many key features of tree symbolism and tree personification that are found in African literature and folklore (written or spoken) can also be identified in SASL literature (signed). In both literatures, the tree is seen as a symbol of growth, the circle of life, hope and knowledge, the ancestors and custodians of history, as well as a character with its own presence. Our findings highlight the modality-independent nature of human creativity
 This article explores the way in which trees (izihlahla in isiZulu) are represented in South African Sign Language (SASL) literature. We contextualise our study in the broader field of African folklore and literature as SASL literature is steeped in deaf culture as well as that of a wider African culture of hearing people. Using a close reading approach of a selection of poems, we claim that many key features of tree symbolism and tree personification that are found in African literature and folklore (written or spoken) can also be identified in SASL literature (signed). In both literatures, the tree is seen as a symbol of growth, the circle of life, hope and knowledge, the ancestors and custodians of history, as well as a character with its own presence. Our findings highlight the modality-independent nature of human creativity.
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