Abstract
Abstract Within Russia, the major centers of bone carving art are the village of Kholmogory in the Arkhangelsk region, the town of Tobolsk in the Tyumen region (which was considered the center of Siberia in the seventeenth century), Chukotka, and the Republic of Sakha (Yakutia). Geographically, they are connected by their proximity to the northern seas, which explains the main materials used by carvers: walrus tusk and sperm whale tooth. The exception is Sakha (Yakutia), the ancient motherland of mammoths. This article discusses the origin and history of the development of Sakha mammoth tusk carving, the role of ethnocultural contacts at different stages of its development, and the preservation of its authenticity.
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