Abstract
Abstract: Octavia Butler's novel Kindred (1979) combines characteristics of two primary genres: slave narratives and speculative fiction. Employing the conceptual framework of métissage, the article examines the interaction of generic attributes. Some generic qualities simply overlap. More frequently, Butler's novel imaginatively defamiliarizes and revitalizes each generic cluster of attributes as a critique of the other. Such a critique often pushes toward the literal: for instance, speculative fiction's latent investment in aliens and the master-slave dialectic is made manifest; slave narratives' reliance on literacy is exposed. The novel's commitment to reinvigorating perceptions of slavery complicates and compromises certain types of representation—particularly literary or discursive representation—thus contributing to a crisis of representation characteristic of black feminist postmodernity.
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