Abstract

This article is an attempt to study the leading trends of Italian vocal and choral art of the twentieth century. The main stylistic features of the musical art of the twentieth century were convincingly manifested in Italian choral music and embodied in two important tendencies in its evolution. The first tendency was focused on a conscious rethinking of traditions, the second one – on a radical technological renewal of stylistic features of musical creativity. The stimulus for updating the content, genre, and stylistic components of vocal and choral music was the “dialogue” between epochs and artistic traditions. The main results of that process were as follows: a combination of spiritual biblical themes and a modern musical language as well as stylistic innovations; the revival of the mystery genre based on texts and plots of the Holy Scriptures; the reproduction of sublime drama per musica style; the revival of the traditions of the late Renaissance madrigal and combining these traditions with new means of expression and modern techniques of composition. One of the ‘iconic’, most significant representatives of Italian musical culture of the twentieth century was Goffredo Petrassi, a composer, teacher, and conductor. G. Petrassi's choral music had an enormous effect on the development of vocal and choral music in Italy in the second half of the twentieth century. The appeal to the national heritage in Petrassi's work was associated with the revival of vocal and choral genres and manifested itself in the use of stylistic features of the late Renaissance madrigal, characteristic techniques of ancient vocal music. On the other hand, studying works of Renaissance polyphonic schools combined with a deep interest in modern experiments in the field of musical composition, allowed the composer to create an amazing phenomenon of new Italian choral music, which in composition is close to both avant-garde and neoclassical works of the first half of the twentieth century.

Highlights

  • Italian musical art of the twentieth century is a specific process that led to significant artistic results, the creation of artistic values that reflected establishing and developing a new culture of the century

  • Italian choral music of the twentieth century is amazing in its diversity

  • The main features of establishing the artistic foundations of choral music of the twentieth century are clearly reflected in the Italian musical art

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Summary

Introduction

Italian musical art of the twentieth century is a specific process that led to significant artistic results, the creation of artistic values that reflected establishing and developing a new culture of the century. A characteristic feature of Italian music of the twentieth century, that was common to all areas, is the high level of writing technique and appeal to the world and national traditions. One of the brightest and ‘iconic’ figures of Italian musical culture of the twentieth century was Goffredo Petrassi (1904-2003) a composer, teacher, and conductor. His work fully reflects all aspects of style as a creative factor in the national culture of Italy. The composer's works cover a wide range of genres of contemporary music. He is the author of two operas, two ballets, eight concertos for orchestra, which are a bright page in the history of European music, five compositions for choir and symphony orchestra, numerous chamber instrumental and vocal works, music for films, and dramatic performances. The composer's choral works, which most fully embody his ethical ideals, attitude to issues of existence, important aspects of religious and philosophical worldview became probably the most valuable part of his legacy

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