Abstract
Altars, altarpieces and art history - legislation and usage, Julian Gardner the creation, meaning and audience of the early-Sienese polyptych - evidence from the Friars, Joanna Cannon Sienese quattrocento painting in the service of spiritual propaganda, Gaudenz Freuler the social status of patronage and its impact on pictorial language in 15th-century Siena, Max Seidel the Bellini, the Vivarini and the beginnings of the Renaissance altarpiece in Venice, Peter Humfrey hangings, curtains and shutters of 16th-century Lombard altarpieces, Alessandro Nova commission and design in central Italian altarpieces c.1450-1550, Patricia Rubin the altarpiece in the Bassano workshop - patronage, contracts and iconography, Michelangelo Muraro.
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