Abstract
This article is a critical discussion of Damon Galgut’s Small Circle of Beings (1988) from the perspective of Elleke Boehmer’s postcolonial poetics. The discussion concentrates on the story “The Clay Ox” and the eponymous novella of the collection. It is argued that both the story and the novella convey a tension between the personal and the political by describing the subtleties of human relationships while at the same time showing that even this intensely private dimension of the characters’ existence is shaped by forces that affect the entire nation. As it is shown, Galgut’s collection of stories is rep- resentative of white writing in the times of the interregnum insofar as it depicts isolated, conflicted protagonists, includes the theme of physical and mental disintegration, and ex- plores the state of personal and political precarity.
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