Abstract
This article offers a new reading of the play Testament (1995) by Josep Maria Benet i Jornet (1940–2020) and its filmic adaptation Amic/Amat (1999) by Ventura Pons (b.1945). I will examine the extent to which Western master narratives on age and masculinity are subverted and/or affirmed, in both the play and film, and what this tells us about the depiction of ageing masculinities within the cultural context of Spain.
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