Issues of originality of author's speech in the historical novels of Muhammad Ali

Abstract

This paper analyses major points of the issues of originality of author's speech in the historical novels of Muhammad Ali. On this case, research has been dedicated on historical points of the Muhammad Ali. It concludes with the vivid outcomes and shortcomings of the author's speech in the historical novels of Muhammad Ali. One of the main conditions for persuading the reader in historical fiction, and especially in the texts of his past, is to accurately describe the historical environment and reality. That is to say, the author considers the heroes of the work, as well as the reader, … in the artistic reality created by the elements of [4; 116] it is important for them to start living. “The artistic text is a very complex whole, representing the content of a work, functionally finished, shaped by the possibilities of the visual image of the language, freely combining a variety of styles according to the artistic intent of the author, giving a listener or reader aesthetic pleasure. In the literary text, as in any other style of text, regularities such as logic, reasonableness, simplicity, normativeness are not fully adhered to. The author's speech in literary criticism is as follows: As the author's image is a subjective basis for the artistic reality that is embodied in the work and reinforced in our imagination, the author's speech is an element that complements the material aspect of the work (the text created by language elements). The author's speech is grammatically close to literary language, but it would be a mistake to insist that it fully conform to the norms of literary language. The mighty king, shaking with ruby, reminded the servant of how helpless he was, and how the world became corrupt. (2–314) This phrase is less than the latin city of Samarkand in the famous Ruby Mask of Temuric Writer in Baburnoma [2; 58], by which he leads the reader to the Middle Ages.