Islamic Modernism and the Re-Enchantment of the Sacred in the Age of History

Abstract

This book studies the complex relationship of religion to modernity, arguing that modernity should be understood as the consequence, not the cause, if the new intellectual landscape of the 19th century. The lens of Islamic Modernism is used to uncover the underlying epistemology and methodology of historicism that penetrated the Middle East and South Asia in this period, forcing and enabling a recalibration of the definition, nature, function and place of religion. Muslim Modernists engaged in a sophisticated project of theological reform designed to marry their twin commitments to religion and modernity; they were in conversation with European scholarship and Catholic Modernism, but more importantly, with their own complex Islamic traditions. This book provides a new framework for conceptualizing the relationship between Western and non-Western modernities. It demonstrates that Islamic Modernists adopted intellectual frameworks that first emerged in Europe, then deployed them to argue for the superiority of Islam. For Islamic Modernists, Islam had historically been, and could once again become a motor of modernity and the solution to contemporary ‘backwardness.’ Islamic Modernists considered in this book include Jamal al-Din al-Afghani (Iran), Imam Bayezidof (Russia), Namik Kemal (Ottoman Empire) and Syed Ameer Ali (India).