Abstract
Islamic children literature, which transformated, in new media was viewed as a part of religious movement. This movement was assumed as social reality in this era. The video children animation, Dodo and Syamil take as case. This paper explores social reality from the religous movement phenomena. Ian Watt’s sociology literary theory is used in this paper, especially the genre and the ideological expression to express social world. Data in this paper includes topic, genre, formula, and idea in the Dodo and Syamil phenomena. The data interpretation is done by relating between topic, formula, and ideological concept to find social reality. The result of this paper is that social reality based on religios islamic movement in modernity context. This movement manifested with several topic, such as faith, worship, and characters. NCR Production is a part from islamic movement which was banned by political and ideological situation.
Highlights
Islamic children literature, which transformated, in new media was viewed as a part of religious movement
This paper explores social reality from the religous movement phenomena
The Social Production of Art. London and Basingstonre: The Macmillan Press Ltd
Summary
Objek materialnya adalah beberapa video Dodo dan Syamil yang diunggah dalam new media atau media digital dan bisa diakses melalui YouTube. Objek material dalam penelitian ini adalah gambaran dunia sosial kelompok pembuat video dan gerakan literasi keislamaan. Data yang digunakan adalah isi, formula, dan topik yang ada dalam video Dodo dan Syamil, lingkungan sosial pembuat video, dan berbagai informasi yang berhubungan dengan literasi keagamaan islami. Penelitian ini meminjam istilah Ian Watt (1964) mengenai gambaran dunia sosial dalam suatu karya sastra yang didasarkan atas genre, formula, dan gagasan ideologis. Teknik pengumpulan data dilakukan dengan membaca dan mencatat segala informasi yang ada. Teknik itu dilakukan dengan menghubungkan data tekstual dengan dunia sosial pada masa teks itu hadir dengan dijembatani topik karya dan gagasan ideologis penciptanya (Sukmawati, Sudardi, & Susanto, 2017). Selanjutnya dilakukan sebuah pembacaan melingkar untuk menghubungkan kedua hal tersebut atau semacam lingkaran hermeneutis
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