Islam and Philosophy: The Question of Figuration in Islam and Senegalese Reverse Glass Painting

Abstract

Reverse glass painting arrived in Senegal in the early twentieth century, essentially as a religious art form, which helped to disseminate Islam in Senegal. Glass painting also became a useful visual vehicle in the national struggle against French colonial domination. Initially, it was practiced by amateur painters for an urban clientele. Due to high demand, amateur painters became professional practitioners of reverse glass painting. A third generation of artists, trained at the school of fine art in Dakar, incorporated the practice of reverse glass painting into other modern artistic techniques and approaches. Today the imagery of reverse glass painting is no longer exclusively religious and covers a wide range of themes. It has become one of the most popular forms of artistic expression in Senegal, which is highly appreciated by both the Senegalese as well as foreigners. It merits scholarly interest and analysis.