Abstract
: The basis of the article is the theory that musical and psychic occurrence are isomorphous. According to that theory music is a psychic process, and has its origin in states of tension within man which appear in sonatacoustic form through the ear. This means that music is an external, perceptible manifestation of that inner process; a kind of «process of externalising the internal» (1) that the individual uses to transform his inner i.e. physical, not lingual, experiences of meaning into external audible form. The article handles also problems of intentionality and time in music, music as metathought and the forms of music as means of achieving psychic harmony and the symbolic process as the canon of psychic and musical integration.
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