Is that a future we want?: An ecofeminist exploration of images of the future in contemporary film

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Contemporary film images of the future are usually made within the hegemonic world of the Hollywood 1 1 References to ‘Hollywood’ are of the hegemonic filmmaking industry in California—I recognise that there are many filmmakers in California who are working within the system, and on the periphery of industry, who struggle to make films that do not reflect hegemonic Hollywood values. film industry. This paper will argue that these films, with their global reach, are contributing to the dominant single view of the future. A view that limits the future to a Western high-tech, white, heterosexual, patriarchal, militaristic, dark blandness where a small number of the rich and powerful men are in control; it is a view that misses out on the lushness of human and biological diversity and the joyful messiness of plurality and truly democratic systems of shared power. Using Causal Layered Analysis as a methodological framework, and ecofeminism to ask questions, this paper explores images of the future in a small number of contemporary films, with specific attention to images of the ecological future in depictions of landscape, food, and animals as well as women's roles in society as an indicator of social justice and equality. Ecofeminism provides a theoretical base from which to identify areas of domination of women, human Others, non-human Others, and the Earth. Ecofeminism combined with Futures Studies provides direction on alternative ways to envision futures—futures that celebrate and protect local human and biological diversity as well as a recognition of common values based on requirements for peace, shelter, food, water, basic material well-being, and cultural expression.