Abstract

This article investigates online entertainment news, magazine, and gossip reports that use canonical terms and ideas attached to theatrical gender-bending—“drag discourses”—to identify gender variant bodies and expressions. Drag discourse pervades the coverage of female-identified menswear models Elliott Sailors and Casey Legler, and female-identified pop stars Lady Gaga and Beyoncé Knowles. I first investigate why media texts use drag as descriptor, especially when it rarely aligns with public figures’ own expressions of identity or intentionality. I then investigate what I term “drag logic,” or how publics engage with drag discourse to inform or support their interpretations of embodied “realness.” I argue that drag logic is an open-ended analytic: a method of meaning making that is unpredictable and subject to individual processes. While drag logic has led to some reductive conclusions about gender variant people, I suggest the pervasive online rumor that Gaga is male-bodied demonstrates the creative potential of this analytic. Drawing on the concept of radical queerness, I conclude by proposing that drag logic is a semiotic with the potential to dismantle the ideological stability of the “real” body.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.