Abstract

This article investigates online entertainment news, magazine, and gossip reports that use canonical terms and ideas attached to theatrical gender-bending—“drag discourses”—to identify gender variant bodies and expressions. Drag discourse pervades the coverage of female-identified menswear models Elliott Sailors and Casey Legler, and female-identified pop stars Lady Gaga and Beyoncé Knowles. I first investigate why media texts use drag as descriptor, especially when it rarely aligns with public figures’ own expressions of identity or intentionality. I then investigate what I term “drag logic,” or how publics engage with drag discourse to inform or support their interpretations of embodied “realness.” I argue that drag logic is an open-ended analytic: a method of meaning making that is unpredictable and subject to individual processes. While drag logic has led to some reductive conclusions about gender variant people, I suggest the pervasive online rumor that Gaga is male-bodied demonstrates the creative potential of this analytic. Drawing on the concept of radical queerness, I conclude by proposing that drag logic is a semiotic with the potential to dismantle the ideological stability of the “real” body.

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