Abstract

ABSTRACTADHD can be considered an internationally recognized framework for understanding children’s restlessness. In this context, children’s restlessness is understood as a symptom of neurodevelopmental disorder. However, there are other possible understandings of children’s restlessness. In this article, we explore four boys’ collaborative and creative process as it is described and understood by three adults. The process is framed by a community music therapy project in a Norwegian kindergarten, and we describe four interrelated phases of this process: Exploring musical vitality and cooperation, Consolidating positions, Performing together, and Discovering ripple effects. We discuss these results in relation to seven qualities central to a community music therapy approach: participation, resource orientation, ecology, performance, activism, reflexivity and ethics. We argue that in contrast to a diagnostic approach that entails a focus on individual problems, a community music therapy approach can shed light on adult and systemic contributions to children’s restlessness.

Highlights

  • ADHD was first included in the Diagnostic and Statistical Manual (American Psychiatric Association) in 1980, and the number of children diagnosed with ADHD has since dramatically increased in both the USA and globally (Neufeld & Foy, 2006; Polanczyk, Lima, Horta, Biederman, & Rohde, 2007; Polanczyk, Willcutt, Salum, Kieling, & Rohde, 2014; Rowland, Lesesne, & Abramowitz, 2002)

  • We present the results as four overlapping phases: Exploring musical vitality and cooperation, Consolidating positions, Performing together, and Discovering ripple effects

  • We return to the research question to be discussed in this article: How can children’s restlessness be understood as a process? In order to lift the discussion beyond the particular context of community music therapy, and in order to relate it to a broader discussion about children’s restlessness and ADHD, we will use seven qualities that are seen as central to a community music therapy approach

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Summary

Introduction

ADHD was first included in the Diagnostic and Statistical Manual (American Psychiatric Association) in 1980, and the number of children diagnosed with ADHD has since dramatically increased in both the USA and globally (Neufeld & Foy, 2006; Polanczyk, Lima, Horta, Biederman, & Rohde, 2007; Polanczyk, Willcutt, Salum, Kieling, & Rohde, 2014; Rowland, Lesesne, & Abramowitz, 2002). Such research can shed light on how adults and experts rely on socially constructed practices and knowledge when judging whether children’s behaviours should be understood as symptoms of ADHD (Moncrieff & Timimi, 2013; Timimi, 2005; Timimi & Taylor, 2004). Another example is how in the case of mothering practices, ADHD has the function on shifting blame from the mother to the child’s brain, but does little to pierce oppressive mothering ideals (Singh, 2004). There is no such disagreement” (Barkley, 2002, p. 89)

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