Abstract
ABSTRACT: The X-Man Psylocke is often dismissed as a hopelessly problematic character: a white Englishwoman in the body of a Japanese ninja with a convoluted backstory and a sexualized costume. This essay reinterprets her as a seminal character in comics history who serves as a visual index for Asianness by revealing both America’s volatile racial politics and the enduring legacy of Orientalism in the superhero genre. Drawing on theories of racial ambiguity, Orientalist stereotyping, and interethnic transformation, I argue that Betsy Braddock’s perpetually evolving face and outfits showcase mass media’s vexed relationship with the Asian diaspora, including its obsession with Asian females, fear of miscegenation, and fascination with the martial arts. Following her original Asianification in the 1980s to her eventual return to whiteness in the 2010s, this study employs Psylocke as an illuminating figure for exploring histories of racialization, yellowface, biological essentialism, and colorblindness in mainstream comics.
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