Abstract
Foreword 1. Prelude-Is Language a Music? Part I. Structuralist Pespectives-Introduction 2. Structure and Function in Repetition. 3. The Allegretto of Beethoven's Seventh. 4. Mediation as a Formal Principle in Music: Three Examples. Part II. Semiotic Polemics-Introduction 5. Nattiez's Fondements. 6. Our Time with Druids. 7. Why We Still Need Peirce. Part III. From Gestures to Discourses-Introduction 8. Mind and Body in Music. 9. Opera Operta: Realism and Rehabilitation in La Traviata 10. A Monument in Song: Bury my Heart at Wounded Knee by Beverley (Buffy) St. Marie. Part IV. The Messages of Methods-Introduction 11. Bartok the Progessive. 12. The Art of Music Theory and the Aesthetic Category of the Possible 13. Technique and Signification in the Twelve-Tone Method 14. The Project of Abstraction in Painting and Music. Part V. Resisting Representation-Introduction 15. Replaying my Voice Mail Notes References Index
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