Year-end Sale % OFF 
Abstract
This essay might be considered an attempt to analyze Croce’s philosophical discourse in general, where he points out his thoughts as a “humanistic alternative to the consolations of religion and metaphysics”; and, to argue whether his aimed task was successful, especially in setting a strict distinction between his philosophical perspective and his claimed anti-metaphysical position. The first major step to take, is to focus on his essentialist philosophy of art, namely, “art as expression”; and second, his division of knowledge between theoretical and practical, which he claimed as products of the main directions of the human mind or human consciousness which Croce called “spirit”, or, of that which “really” exists. Initially, we could argue that even this presupposition could be considered as highly metaphysical.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
